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"Rattigan himself, however, said that his prime concern was ¡°the illogicality of passion¡± and that comes across beautifully in McCrory¡¯s performance. Left alone, she paces her room in moody silence. In the presence of Freddie, even after her aborted suicide, she becomes a different woman. McCrory¡¯s features blaze like a city in illumination. I¡¯ve seen many fine Hesters but few who have conveyed so clearly what Shakespeare called ¡°the very wrath of love¡±. (Michael Billington)